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That contributes a lot to the performances they appear more actual as a outcome of they are not caught in phony sets. But in the final evaluation, it truly is Matthau, Miss Bergman and Miss Hawn who make "Cactus Flower" successful. In "Cactus Flower," just as in "The Importance of Being Earnest" 75 years in the past, or in "She Stoops to Conquer" 200 years in the past, the plot depends upon a romance developed via mistaken identity. So Abe Burrows wasn't inventing anything new when he wrote the play. When Pauline Kael observes that "The Scalphunters," not an excellent film, turns into enjoyable due to the sparks that Burt Lancaster and Ossie Davis strike of their scenes collectively, I know what she means. Goldie Hawn and Walter Matthau have that happening in "Cactus Flower," and Ingrid Bergman strikes between them with absolute serenity.
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